Tuesday, April 12, 2011

Now Playing: Hanna

Watched Hanna on Sunday; I hadn't even heard of the movie until I caught  a preview for it on the flight back from Cuba.  Or, perhaps I had, but blocked it as one its "stars" is Eric-Fucking-Bana.  Since i didn't recognise him on the tiny air-plane screen, I just liked it without hating him and thus relegating the movie to the "no" pile. 

On to the movie, which I actually liked, despite EFB's presence.  Possibly because he wasn't in it as much as I'd feared or because Cate Blanchett and Saiorse Ronan's combined awesomeness overpowered his stink or because I really really liked the soundtrack.  Anyway, it was good.  It wasn't great, but it was good.

Plot-wise, it wasn't too bad.  Clearly, this is written to be open-ended, perhaps even franchise-starting.  Great casting in Ronan/Blanchett, who could almost be related (spoiler?  twist?  you'll see...).  The choice to keep things as ambiguous as possible until the very last moment is also a great one - I mean, i had no idea where they were, who they were or even when they were.  Very edgy and suspenseful.

The most vibrant and tense character of this film, however, goes uncredited: the soundtrack.  The Chemical Brothers do for Hanna what the Dust Brothers for Fight Club: make it awesome!  I have already listened to the soundtrack on loop and it's still fantastic. 

So, should you watch it?  Yeah, probably, but don't hurt yourself hurrying.  I think you can even watch this one at home, as I didn't get the sense that it was relying too much on big picture (though the soundscape would benefit from 5.1 setup, for sure.  3 out of 5 stars.

Sunday, April 10, 2011

Now Playing: Sucker Punch

Whoops.  Forgot to review Sucker Punch when I watched it a couple of weeks ago.  That should give you some idea of how excited I am about it.  Given Zack Snyder’s track record, I was absolutely expecting something beautiful.  And perhaps that’s where we should start – with the beautiful parts.  Visually, this movie is stunning.  I really loved the 300-esque feel that the entire movie had – gritty, stylised and vaguely sexy.  (We’ll talk more about the vague parts of this). Everybody and everything has a grimy sheen to it that achieves the amazing dual purposes of looking both appealing and revolting.  Except the girls.  They seem to shine and remain generally untouched by the ugliness surrounding them.  Could this be on purpose?  A commentary of the inherent innocence of these girls being locked up and being mistreated? 

Well, I doubt it.  Apart from the neat progression in time (samurai to medieval to WWI to some undisclosed planet with two moons) which somehow denotes Baby Doll’s evolution as a fighter (I think), and the pretty awesome soundtrack, most of the movie really confused me.  I mean, okay, I understand the brothel (and the subsequent escape from it) as some sort of metaphor for Baby Doll’s escape attempts from the asylum; but what was with the dancing-as-fighting thing?

Which brings me to the stuff I didn’t like – which, sadly, was the rest of it.  It all feels so contrived.  We need a victim escapist fantasy?  Let’s get an evil stepfather to lock our heroine into an asylum.  Need sexy outfits?  Well straitjackets won’t do, so let’s make the escapist fantasy take place in a brothel.  But how, oh, how can we get hookers (sorry, excuse me, dancers) into awesome fight scenes?  Well, we have to make the fighting a metaphor for the dancing (which is a metaphor for the asylum).  And heck, throw in a musical number at the end.

I almost wish I could have just watched this movie in mute and made up my own story. 

Well, so what to rate it?  It was pretty and the fight scenes were great; despite the exploitive feel, even the outfits were awesome.  But, in the end, I’m left unimpressed. I would say rent it, but that may compromise the visual effects; paying full price may compromise your wallet.  Your call.  2.5 out of 5 stars.

Friday, April 08, 2011

Cuba

This was my average day in Cuba.

0830: wake up
0900: breakfast (with mimosas)
1000-1130: ocean swim
1130-1300: dry off on a lounger; read a book
1300-1500: lunch (with sangrias)
1500-1600: read/nap (with mojitos)
1600-1700: ocean/pool swim
1700: random activities**
1800-1900: get ready for dinner (fancy dress!)
1900: pre-dinner cocktails in the lobby bar (more mojitos)
1930-2100: dinner
2100-2300: post-dinner cocktails in the lobby bar, listen to the band, plays a few hands of hearts.
2300-2359: read
0000: sleep
**= archery, skeet shooting, catamaran riding, pool-volleyball, salsa/rumba/mambo lessons, etc.

Some nights we went to a show instead of post-dinner cocktails; some nights we went to a disco.  Most nights, I was happy with Blue Hawaiians, Mudslides and Pina Coladas.  The resort was pretty amazing - we felt safe enough to leave our cameras/books/towels on the poolside loungers while we wandered off to the ocean or to lunch.  Clothes were hung to dry on the patio (to take advantage of that morning sun).

We did get into Havana for a day, which was amazing.  It was like stepping into a time warp - old cars, old houses and old architecture.  Except that none of this stuff was museum quality.  People were living in abandoned mansions, squatting in what used to be the Bacardi rum factory and tending goats on the Capitol lawns. 

And the people?  Here's a country that knows what it means to be a service industry.  They are warm, friendly and, somehow, genuine.  They go out of their way to accommodate you and most times will do so for no compensation to them.  Tips, as we were told, are appreciated but it would be impolite for anyone to ask for them.  Our Breakfast/Lunch waitress (whose name I could not pronounce for the life of me) was so sweet.  She found us on our last day (as we were heading back from the lobby bar) and said she wasn't going to be with us for breakfast the next day so she wanted to say goodbye: hugs and kisses all around.

Considering how I usually spend my vacation time, I was really worried that a do-nothing vacation would be boring. It really wasn't.  Between the salty ocean, the random activities, Havana and the food... I was amused.  And, for the first time, rested upon return.  Would I do it again?  Sure!  In deference to my need to see everything, though, I will probably go to Belize next.

Tuesday, April 05, 2011

The Thirteenth Tale by Diane Setterfield

I have been neglecting Book Club reads for the last two months, ashamedly.  Instead, I've been indulging in yet another re-read of the Harry Potter series (which never fails to hook, line and sink me into reading oblivion).  Since I went to Cuba, however, I took with me this month's pick: The Thirteenth Tale by Diane Setterfield

In a neat blend of Victorian and Gothic literary styles (a hated and beloved genre, respectively), The Tale is quite the surprise.  I had expected a Zafón-esque adventure; I had expected a Brooks-ian love letter to readers.  What I got was a little of both and much more: a romantic mystery, full of plot twists and shocks, that were satisfying and terrifying.  When I read "beneath my fingers, the handle to the third room began to turn of its own accord" (p.133), my breathing went distinctly shallow.  Not since James' "The Turn of the Screw" have I been equally enamoured and petrified by the words I was reading.

I have very little to critique.  The plot is engaging, the characters grotesquely real, the diction compelling.  And yet, if I must find something to criticise, I would say that it is Setterfield's determination to leave no thread unknotted, applying reality and fantasy in equal measure to answer burning question.  Would I have left something out?  Would I have liked some stone to remain unturned and therefore tantalisingly mysterious?  I don't know - we shall have to discuss at Book Club.  Clearly, it is a novel that stays with you, as even I can see echoes of it in my own prose.

Read it!  Especially if you are visiting the Moors!

Friday, March 18, 2011

DVD: Walking Dead

A zombie TV-series? In a world of vampire slayers and ghost whisperers, it was inevitable. AMC’s Walking Dead, based off the monthly Image comics, came out on BD last week and so, of course, a marathon ensued! AnCe, LilBro, Jadek and myself curled up on a lazy Sunday afternoon to down all 6 episode in one shot. Not a hard feat, it turns out. The show is excellent! Just enough blood guts and gore to keep it interesting and never veering away from its real strength: solid character development. Sure, some of the “twists” weren’t as surprising for the discerning viewer, but that was really besides the point.

I really like that there’s stuff to talk about afterwards, you know? I anticipate the Great Whispers Debate all summer. And I also like that there’s a solid deviation from the comic books, so fans will have some surprises to still look forward to. It was a lot fun and a lot of scary. I recommend it!

Now Playing: Battle: Los Angeles

It took me a long time to actually sit down and write this review. It’s not because I have little to say; it’s because I have too much. Let’s get right to it then.

When someone comments about the unrealistic portrayal of something, especially in big-budget action movies, I’m usually the first to sarcastically quip back: ”are you saying that movie are not an accurate depiction of real-life?!”; I take the eye-rolling in stride. So, no, I don’t expect Zombies to be biologically viable with real science or to be able to blow up asteroids with real physics or even people to fall in love in crazy circumstances – but I do expect to suspend my disbelief with ease. For example: Zombies that are undead due to a haunted cemetery? Difficult. Zombies as a result of viral studies on chimpanzees? Done!

Then comes Battle: Los Angeles. Can I believe that an alien race discovers a resource-rich planet that they intend to colonise and will kill all the pests (read: humans) in order to do so? Yes. No problem. Which I why I was pretty excited to be watching the movie: I thought it was going to be all District 9 meets Independence Day! It started off really well – there were moments of genuine suspense and humour, as there should be in a good action flick. The characters were pretty good, though perhaps a bit too much of a caricature. I did enjoy that they took the time to introduce everyone name in an attempt to feel for them later. And if you’d asked me as soon as the credits rolled, what I would rate the film, I would have said 3.5 to 4 stars. Not bad!

Where it all falls apart is during the obligatory nacho analysis (you know, you go for nachos afterwards and dissect movie, arguing the pseudo-scientific facts). I tried to be as fair as possible, approach the movie from a formulaic standpoint. Here are the givens of the movie (spoilers ensue):

1) All the attack point were major coastal metropolises: Paris, London, LA, San Diego, San Francisco, NYC, etc.
2) The spaceships slowed down before hitting the water (i.e., slower than terminal velocity)
3) The ships had very sophisticated drone technology that tracked RF waves as well as human movement and sound.
4) The ships’ fuel is water.
5) The aliens were hostile.
6) The aliens had some serious armour with cybernetics fused to their bodies and a very small kill-box (to the left of where the human heart would be).
7) The aliens had some form of community, as there were moments where you could see them carrying off their dead or assisting the injured among them
8) The weapons were plasma- or acid-based, given the burns that resulted from being hit by one of them.
...In order to know where to hit us, the aliens would have had to observe us for some time. They didn’t hit just anywhere. No sir, they hit major metropolises that were not just human population havens but also electrical and communication powerhouses. I proposed they would have had to observe us for quite some time; Jadek posited that not really, since just watching the Earth at night would give you where the major human holdouts are. Fair enough. Either way, they would have already been here for some time before the attack and would know our major Achilles heel when it comes to Space Invasion: we have no weapons in space. I mean, yeah, we can resist you here on earth with our tanks and our guns and our bombs (oh my) but if you get us out in orbit, well, we’re pretty much toast. So why – why why why! – would any self-respecting alien race ever land on earth when they could blow us to kingdom come from space?!

Jadek tried – he really did – to make a case for them. Maybe they’re not that much more advanced than we are. Maybe they don’t have very good space weaponry either. (They don’t need to, they could use the plasma weapons they already demonstrate as having and shoot from space). Maybe they don’t have very good brakes (they sure do, they stopped their terminal velocity before hitting the water). Maybe they have a sophisticated space launch system (as opposed to space flight system) and so they need gravity or some solid object to stop against (you’re saying an extra-solar alien race, capable of launching themselves several light years at a very small target cannot alter their trajectory a couple of kilometres in order to stop outside our atmosphere as opposed to within it?) Maybe their advance force were, like, the dregs of their culture and they don’t care if they live or die as long as they secure their target (sure, they spend all these fuel resources – resources so precious they attack planets to secure some – but won’t spend a few extra ship resources to secure the ground before letting their dregs-infantry out?).

Anyway, as you can read, I was unconvinced and the more the talked about it the quicker it all fell apart. So plot-wise, it was a bust. Were the special effects at amazing? Not really – most of it moved too quickly to focus on and what we did see was pretty generic CGI stuff. We’ve seen better.

I would rent it, if you must. And don’t question it. 2.5 out of 5 stars.

Monday, March 07, 2011

Now Playing: The Adjustment Bureau

Besides by barely concealed love for a beautiful suit-and-fedora combo, I was really looking forward to The Adjustment Bureau. Seems like smart sci-fi/parallel universe movies are making a comeback (thank you, Inception!) and I, for one, am ecstatic about it. It’s nice to be able to watch movies that are both visually and intellectually stimulating. As a movie, this was pretty decent. I especially liked Emily Blunt (is she one of the most under-rated actresses out there right now or what?)
Besides the running and the quick scene changes and the other various technical wizardry happening, there’s also a great dialogue also occurring. On one of my favourite theme, to boot: Free Will. Do we have it? Should we have it? If there was a beneficent Chairman out there who could control our destinies, would it be better if he/she/it took care of that, considering Humanity’s track record? If there isn’t – are we fucked? Will humanity ultimately choose to be good social creatures or bad selfish ones? Can we be good selfish creatures? Bad social creatures? Is this really what this movie is about? Questions!

Also: there’s a lot of NYPL in there – I mean a LOT. I kept being reminded of the Borges quote (I, too, have always imagined that Paradise will be a kind of library). So, of course, it got many extra points for that.

All in all, fun. A great start to March Madness. 4 out of 5 stars.